Senin, 31 Maret 2014

Selected Poems, by John Updike

Selected Poems, by John Updike

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Selected Poems, by John Updike

Selected Poems, by John Updike



Selected Poems, by John Updike

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Though John Updike is widely known as one of America’s greatest writers of prose, both his first book and his last were poetry collections, and in the fifty years between he published six other volumes of verse. Now, six years after his death, Christopher Carduff has selected the best from Updike’s lifework in poetry: 129 witty and intimate poems that, when read together in the order of their composition, take on the quality of an unfolding verse-diary.Among these poems are precocious undergraduate efforts (including the previously unpublished “Coming into New York”), frequently anthologized midcareer classics (“Seagulls,” “Seven Stanzas at Easter,” “Dog’s Death”), and dozens of later works in a form that Updike made his own, the blank-verse sonnet. The poems range from metaphysical epigrams and devotional poems to lyrical odes to rot, growth, and healing; from meditations on Roman portrait busts and the fleshy canvases of Lucian Freud to observations on sash cords, postage stamps, and hand tools; from several brief episodes in family history to a pair of long autobiographical poems, the antic and eclectic “Midpoint,” written at age thirty-five, and the elegiac masterpiece “Endpoint,” completed just before his death at seventy-six. The variety of the work is astonishing, the craftsmanship always of the highest caliber.Art, science, popular culture, foreign travel, erotic love, the beauty of the man-made and the God-given worlds—these recurring topics provided Updike ever-surprising occasions for wonder and matchless verbal invention. His Selected Poems is, as Brad Leithauser writes in his introduction, a celebration of American life in the second half of the twentieth century: “No other writer of his time captured so much of this passing pageant. And that he did so with brio and delight and nimbleness is another reason to celebrate our noble celebrant.”

Selected Poems, by John Updike

  • Amazon Sales Rank: #871299 in Books
  • Brand: Knopf
  • Published on: 2015-10-13
  • Released on: 2015-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.20" w x 7.30" l, 1.25 pounds
  • Binding: Hardcover
  • 320 pages
Selected Poems, by John Updike

About the Author JOHN UPDIKE was the author of more than sixty books, eight of them collections of poetry. His novels, including The Centaur, Rabbit Is Rich, and Rabbit at Rest, won the Pulitzer Prize, the National Book Award, the National Book Critics Circle Award, and the William Dean Howells Medal of the American Academy of Arts and Letters. He died in January 2009.CHRISTOPHER CARDUFF is a member of the staff of The Library of America and the editor of John Updike’s posthumous volumes Higher Gossip, Always Looking, and The Collected Stories. He lives in Melrose, Massachusetts. BRAD LEITHAUSER is the author of sixteen books, the most recent of which is The Oldest Word for Dawn: New and Selected Poems. The recipient of a MacArthur Fellowship and Iceland’s Order of the Falcon, he is a professor in the Writing Seminars at Johns Hopkins University and divides his time between Baltimore, Maryland, and Amherst, Massachusetts.


Selected Poems, by John Updike

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8 of 12 people found the following review helpful. This seems dumb. You can get his collected poems for fifty ... By j a haverstick This seems dumb. You can get his collected poems for fifty cents up and the last collection, Endpoints and Americana for a few bucks more. When it comes to "selected" poetry, I'll bite IF it's the poet's selection, That tells you something. This obviously isn't. So go for it if you wanna sample Updike's poetry, I guess, but I love this guy, and if you do as well, get these three books instead and have the complete poetry. By the bye there's an excellent review of this book in the first Nov issue of the New Yorker (2015) which capsulizes why Updike is a wonderful poet, but not a great one. The more I type, the more I think my remarks are not for the curious Updiker, I can see why you might but this as a sampler...but again, why not have the full three course meal instead?

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Selected Poems, by John Updike
Selected Poems, by John Updike

Becoming Zara, by Lillianna Blake, P. Seymour

Becoming Zara, by Lillianna Blake, P. Seymour

How is to make certain that this Becoming Zara, By Lillianna Blake, P. Seymour will not presented in your shelfs? This is a soft file book Becoming Zara, By Lillianna Blake, P. Seymour, so you can download and install Becoming Zara, By Lillianna Blake, P. Seymour by acquiring to obtain the soft documents. It will certainly alleviate you to read it each time you require. When you feel lazy to move the published publication from the home of workplace to some area, this soft documents will certainly alleviate you not to do that. Due to the fact that you can just save the information in your computer unit as well as gizmo. So, it allows you read it all over you have willingness to review Becoming Zara, By Lillianna Blake, P. Seymour

Becoming Zara, by Lillianna Blake, P. Seymour

Becoming Zara, by Lillianna Blake, P. Seymour



Becoming Zara, by Lillianna Blake, P. Seymour

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Hi, I’m Zara…warrior princess. I don’t usually tell that last bit to strangers, but I say it in my head all the time. It’s one of the many mantras that have helped me to get to where I am today. And believe me when I say that I’ve come a long way. Besides, if you’re a woman and you happen to have ever struggled with issues of self-esteem, we’re probably gonna be fast friends anyway, so I won’t hold anything (much) back. Oh, and Zara wasn’t the name I was born with—but you’ll find out more about that in the book. I don’t know about you, but my own struggle with my weight has held me back a bit in life. And my self-esteem took a real nose dive after my fiancé dumped me—via text, no less. (I know, right? Jerk!…but I don’t usually dwell on things in the past, so let’s just move right along from that, shall we?) So, I’m still a work-in-progress for sure, but I’m really starting to figure it all out—how to be more of who I’m meant to be every day—including the bumps, the lumps, and my bruised ego along the way. Oh and I love my sisterhood (more about that later) - the women who join me in believing that we are all capable of being strong, amazing, warrior princesses—just the way we are right now. *** FUN FACT: “Becoming Zara” is a standalone novella, but if you’re following the character of Samantha Bradford as she crosses off the items of her bucket list (the Single Wide Female Series), this is the book that Samantha publishes to complete her bucket list item #18 (Publish a Book). Note: You can download #1 Learn Pole Dancing of that series for free.

Becoming Zara, by Lillianna Blake, P. Seymour

  • Amazon Sales Rank: #417740 in eBooks
  • Published on: 2015-06-14
  • Released on: 2015-06-14
  • Format: Kindle eBook
Becoming Zara, by Lillianna Blake, P. Seymour

About the Author Fictional character, Samantha Bradford and the Single Wide Female books are written for every woman out there who has struggled with their weight, self-esteem and any number of issues that we all face as we work to become the best versions of ourselves that we can be. These books are meant to be light-hearted and fun, but we do hope that they will inspire you to make your own “bucket list” of sorts—and to REALLY live your life to the fullest, loving yourself completely as you do so.


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4 of 4 people found the following review helpful. She did it ....Will Max realize it is really him? By shweetsandi If you have not read any of the Single Wide Female (SWF) books let me begin by says Sugar you need to grab a hold of The Bucket List 81 Learn Pole Dancing (it;s free i think everywhere) and you will see why Lillianna Blake is such an amazing writer.Just so you kinda understand what this book is, Samantha is the main character in Single Wide Female book series and she has a bucket list, I love this girl she is comfortable in her own skin. She is a curvy girl who has lost some weight and after doing so decide to blog about doing the things on her bucket list, Becoming Zara is number 18 on her bucket list, Publish a Book.As I was reading the book I could not help but compare Samantha to Zara and Max *her secret crush and BFF in Single Wide Female* to Braden in Becoming Zara.Unlike Lillianna Blake's SWF books were there is a great deal of laughter and this book had me thinking more. It had me looking more into Samantha's head and heart and wondering where the next SWF books are going to go and if Max and BLUE *who i happen to think IS MAX* will read into the book what I am reading into this book.Grab a copy, but if you have not read the series I have to share with you the entire series is wonderful. I read in bed a lot and my husband refuses to let me read this series in bed because i laugh to much and keep him up. In fact we now plan date nights for when a collection is coming out and we have a glass of wine *me* Beer *him* and i read the collection out loud and we laugh and laugh, YES Collection because Lillianna Blake is wonderful about actually grouping books together so if you want to wait for a set at a time (like i do) you can save and make a night of it.Grab Learn Pole Dancing for free and of course Becoming Zara is so good grab it today!!

3 of 3 people found the following review helpful. Look beneath the surface By BookLuvr Such a great story from an author I have come to love!! On the surface this may look like chick lit but underneath it's all about being a strong woman who learns to love herself and in turn help others to do the same!

3 of 3 people found the following review helpful. BECOMING ZARA BY LILLIANNA BLAKE By EasyEd I LOVED BECOMING ZARA. IT WAS WITTY, FUNNY, AND VERY ENTERTAINING. I CAN'T WAIT FOR MORE FROM LILLIANNA BLAKE.I HAVE READ ALL OF HER SINGLE WIDE FEMALE EBOOKS . THEY ARE REALLY GOOD READS.

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Senin, 24 Maret 2014

A Forbidden Lover: BWWM, by Ariana Young

A Forbidden Lover: BWWM, by Ariana Young

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A Forbidden Lover: BWWM, by Ariana Young

A Forbidden Lover: BWWM, by Ariana Young



A Forbidden Lover: BWWM, by Ariana Young

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Ruth had never been with a white man, and she never thought that she would be, but when he caught her at the bar, attraction was instant. She couldn't tell if it was his green eyes, the stubble on his chin, or that smirk that made it seem like he had already won, but she wasn't able to turn away. A quick meeting turns into so much more when she finds herself back at the apartment of a white man who loved to take control. It's exactly what Ruth needed, even if she didn't know it yet.

A Forbidden Lover: BWWM, by Ariana Young

  • Amazon Sales Rank: #117089 in Audible
  • Published on: 2015-10-30
  • Format: Unabridged
  • Original language: English
  • Running time: 22 minutes
A Forbidden Lover: BWWM, by Ariana Young


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0 of 0 people found the following review helpful. Five Stars By T Short but good

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A Forbidden Lover: BWWM, by Ariana Young
A Forbidden Lover: BWWM, by Ariana Young

Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

Locating the ideal Cinematic Portraits: How To Create Classic Hollywood Photography, By Pete Wright publication as the right necessity is type of lucks to have. To begin your day or to finish your day during the night, this Cinematic Portraits: How To Create Classic Hollywood Photography, By Pete Wright will be proper sufficient. You could merely hunt for the tile here as well as you will get guide Cinematic Portraits: How To Create Classic Hollywood Photography, By Pete Wright referred. It will not bother you to reduce your valuable time to go with buying publication in store. In this way, you will certainly additionally invest money to spend for transportation and also various other time spent.

Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright



Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

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Pete Wright teaches you how to re-create mysterious, dark, and glamorous cinematic portraits reminiscent of those taken of 1920s’ and 1930s’ stars and starlets. The book contains 60 discrete sections which contain 60 of Wright’s most impressive, nostalgic black & white portraits, along with some alternate poses and lighting diagrams. In each section, the author details the steps taken to create the final portrait. You’ll learn how Wright conceptualized the shot and will gain insight into the location of the shoot, props selected to create the theme, wardrobe selection, and hair and makeup styling. The lighting units used on the set, light modifiers, and lighting setup employed will also be covered, allowing you to readily re-create the classic, dramatic Hollywood look with your own subjects. Wright will also discuss how he posed the subject to give him or her that superstar, larger-than-life look.

Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

  • Amazon Sales Rank: #648658 in Books
  • Brand: Wright, Pete
  • Published on: 2015-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .30" h x 7.40" w x 9.90" l, .0 pounds
  • Binding: Paperback
  • 128 pages
Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

About the Author Award-winning photographer, journalist and lecturer Pete Wright, a fourth-generation artist and a second generation photographer, was raised in North Carolina in an environment rich in art and photography. His photographs were first published when he was 14 years old when he accepted his first paying job as a photographer working for a regional newspaper. Years later, in 1997 PW Photography’s first studio opened in Greenville, North Carolina. The following year the company moved to Richmond, Virginia. The studio’s work has ranged from portraits and weddings to sports and editorials.During his decades of working as a photographer Pete has earned the distinction of Master Photographer and Photographic Craftsman from PPA. He also received Photographer of the Year honors from PPA seven times, has been awarded several Fuji Masterpiece, Kodak Gallery, Polaroid Prestige, Lexjet Sunset and Canon Par Excellence Awards, was accepted into the PPA Loan Collection multiple times, has been featured in several national publications and is fortunate to have lectured around the world about his passion for photography. He loves to teach and inspire others to follow or find their passion in photography and use that passion to build a successful business!Pete is a true believer in the motto “pay it forward” and feels it is his responsibility to be an open book, sharing his own knowledge, and to help create educational opportunities to expose new photographers to a diverse and talented group of photographic educators. It is his life’s goal to see the photographic industry survive and thrive in change!


Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

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1 of 1 people found the following review helpful. They say "Don't judge a book by its cover," but just look at that amazing cover! By Ken Hopson If you need a basic guide on shooting classic cinematic-style portraits, Pete Wright's book nails it. It is well laid out, section by section, covering everything from lights, makeup, poses and locations to props, post processing, client relations and more. There are even some equipment recommendations and software tips. Throughout the book are supporting photos and diagrams. What I liked most about this book was that it is comprehensive, without ever being tedious.

1 of 1 people found the following review helpful. Great resource for beginners and pros alike By Legend87 A great resource for photographers- from amateur to advanced. I loved how the book was setup in very specific sections. It allows you to absorb the info in bite size pieces so you don't get overwhelmed. If you are a beginner, you will love how Pete covers a lot of the basics. If you are a seasoned pro, you will still pick up a tip or two on getting the light just right. Tons of great images as well. Highly recommend!

0 of 0 people found the following review helpful. Love the images in this book By SobasPhotos I thought this was a great book as I LOVE the style from back then. He covers a lot of familiar areas of photography such as basic lighting styles but more importantly he discusses how they apply to the film noir style. He discusses every possible aspect of the shoot from finding models and MUAHs to props and locations and the post work which for this style becomes fairly important to get an authentic look. He doesn't give specific shot details like camera setting and light placement but with this style those are details the photographer really needs to decide for themselves.I received this book in order to review. 

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Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright
Cinematic Portraits: How to Create Classic Hollywood Photography, by Pete Wright

Minggu, 16 Maret 2014

Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education,

Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

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Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.



Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

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Here is a book that will describe the connection of the Common Core Standards to higher education teaching and learning and offer a process through which higher education faculty can use these standards (or their own state standards) to improve instruction and learning at their institution. We expect the readers will be members of Faculty Learning Communities and study groups, academic administrators and department chairs, or even individual college-level faculty who want to ensure their programs are standards based and value collaboration with the P-12 schools.

Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

  • Amazon Sales Rank: #3161691 in Books
  • Published on: 2015-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .55" w x 6.00" l, .73 pounds
  • Binding: Paperback
  • 242 pages
Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.


Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

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4 of 4 people found the following review helpful. Much Needed Tool By Doug Dollar This excellent collection of writings addressed how to relate Common Core Standards to higher education teaching and learning. It is a much needed tool for both administrators and individual faculty.

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Meet Me at the Commons: A Field Guide to the Common Core Standards in Higher Education, by Dorie Combs Ph.D.

Sabtu, 15 Maret 2014

The Sea and Poison, by Shusaku Endo

The Sea and Poison, by Shusaku Endo

It won't take even more time to obtain this The Sea And Poison, By Shusaku Endo It won't take even more money to print this publication The Sea And Poison, By Shusaku Endo Nowadays, people have actually been so wise to utilize the modern technology. Why don't you use your device or various other tool to conserve this downloaded soft data book The Sea And Poison, By Shusaku Endo In this manner will allow you to always be gone along with by this book The Sea And Poison, By Shusaku Endo Certainly, it will be the very best good friend if you read this publication The Sea And Poison, By Shusaku Endo till finished.

The Sea and Poison, by Shusaku Endo

The Sea and Poison, by Shusaku Endo



The Sea and Poison, by Shusaku Endo

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The novel The Sea and Poison won the Akutagawa Prize when it was published in Japan in 1958 and established Shusaku Endo in the forefront of modern Japanese literature.

The Sea and Poison was the first Japanese book to confront the problem of individual responsibility in wartime, painting a searing picture of the human race’s capacity for inhumanity. At the outset of this powerful story we find a Doctor Suguro in a backwater of modern-day Tokyo practicing expert medicine in a dingy office. He is haunted by his past experience and it is that past which the novel unfolds. During the war Dr. Suguro serves his internship in a hospital where the senior staff is more interested in personal career-building than in healing. He is induced to assist in a horrifying vivisection of a POW. "What is it that gets you," one of his colleagues asks. "Killing that prisoner? The conscience of man, is that it?"

The Sea and Poison, by Shusaku Endo

  • Published on: 2015-10-30
  • Dimensions: 5.16" h x .59" w x 7.80" l,
  • Binding: Paperback
  • 174 pages
The Sea and Poison, by Shusaku Endo

From Publishers Weekly Against the backdrop of World War II, Japanese writer Endo ( Scandal ) explores the nature of morality. In this novel, originally published in Japan in 1958, the author examines the inner lives of three characters in the central drama, a grisly vivisection of an American prisoner of war, in an attempt to understand what conscience, or lack of conscience, allowed them to participate in such an atrocity. Through the character of Suguro, an unsophisticated medical intern from the country bullied into acquiescence in the crime by his colleague, Toda, the cynical son of a wealthy doctor, we see how pangs of conscience are not enough to save one from the consequences of participation--even as only an observer--in an unethical act. Endo's finely wrought descriptions of place and the monotonous routine of daily life in a hospital subtly but powerfully evoke the despair and terror of a people at war. He presents here a decidedly postmodern world, where individuals exist in a state of disconnected anomie. Despite its bleakness, the novel is compulsively readable. We are fascinated even as we are repelled by these characters' moral corruption and their slow, inevitable decline.

Copyright 1992 Cahners Business Information, Inc.

Review “... the novel is compulsively readable. We are fascinated even as we are repelled by these characters' moral corruption and their slow, inevitable decline.” (Publishers Weekly)

Language Notes Text: English, Japanese (translation)


The Sea and Poison, by Shusaku Endo

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24 of 24 people found the following review helpful. Info on Film Version By A Customer My compliments to the reviewers who have contributed to the further publicity of this harrowing and psychologically complex novel, an exploration of those who have denounced their spirituality in exchange for social acceptance, and the consequences they have to suffer. I would like to just add one side note. There is an excellent film adaptation of SEA AND POISON, directed by Kumai Kei in 1986. Because of the controversial subject matter, no major studio would finance the film and it took Kumai years to finish it. (It would certainly not be made in today's Japan, considering the strength of revisionists and glorifiers of the imperial past) This movie has also been nearly completely neglected in the US, no doubt due to its unflinching realism, thoroughly unexotic visuals and political content, something we do not expect from the country mostly known to us through bubblehead animation, Power Rangers and Godzilla. Please do seek it out, if you have wherewithal to do so, and show it to as many Americans (and Chinese, etc.) as you can. I believe the US distrubtor in 1987 was Gates Films.

24 of 25 people found the following review helpful. Crime and Punishment By A Customer Obedience to authority and power leads people to harm others, and not being able to resist authority of someone higher is human weakenss. It seems that the Intern named Toda is the one Endo wanted to emphasize upon. The charactor of Toda remainds me of Albert Camus's "The Stranger," and Dostoevsky's "Devils," and it can also be related to other charactors Endo draws in his other novels. Can people feel guilty without punishment of the society? What is morality? What is "right" and "wrong" in such an absurd world like today?There is a sequel to The Sea and Poison. I do not believe that it is published in the United States, but it is about Dr. Suguro's later life. People judge him and punish him under the name of "democracy" and its "justice." Dr. Suguro ends up hanging himself. Can people judge and punish others? If judging and blaming are the meaning of justice, how does it differ from what is unjust?I am Japanese, and I personally think that Endo is the best writer from our country. I strongly recommend all his work to Americans.

16 of 17 people found the following review helpful. An Indictment of Japan's Prewar Nihilism By A Customer Endo creates a haunting portrait of characters caught up in the vivisection of an American prisoner of war during the latter days of the Pacific War and their reactions to their crime. Through the separate narrations of each character, we see how the nihilism that swept Japan's prewar intelligentsia prepared each character for his or her role in the vivisection. Evocative of the understatement in Camus's "The Stranger," Endo's characters relate their stories in straight line, cinematic narrations which reveal the desensitivity to life and suffering that Japan's prewar society had conditioned them to, and in doing so Endo offers readers a sober warning of the dangers of living in a moral vacuum.

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The Sea and Poison, by Shusaku Endo

The Sea and Poison, by Shusaku Endo
The Sea and Poison, by Shusaku Endo

Jumat, 14 Maret 2014

Dreams of the Red Phoenix, by Virginia Pye

Dreams of the Red Phoenix, by Virginia Pye

It is not secret when linking the creating abilities to reading. Reading Dreams Of The Red Phoenix, By Virginia Pye will certainly make you obtain more sources as well as resources. It is a manner in which can boost just how you overlook as well as recognize the life. By reading this Dreams Of The Red Phoenix, By Virginia Pye, you can greater than exactly what you get from other book Dreams Of The Red Phoenix, By Virginia Pye This is a prominent publication that is published from famous author. Seen kind the writer, it can be trusted that this book Dreams Of The Red Phoenix, By Virginia Pye will offer lots of inspirations, regarding the life as well as experience and every little thing within.

Dreams of the Red Phoenix, by Virginia Pye

Dreams of the Red Phoenix, by Virginia Pye



Dreams of the Red Phoenix, by Virginia Pye

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During the dangerous summer of 1937, a newly widowed American missionary finds herself and her teenage son caught up in the midst of a Japanese invasion of North China and the simultaneous rise of Communism. Meanwhile a charismatic Red Army officer requests her help and seems to have shared some surprising secret about her husband. Shirley must manage her grief even as she navigates between her desire to help the idealistic Chinese Reds fight the Japanese by serving as a nurse and the need to save both herself and her son by escaping the war-ravaged country before it’s too late.Taking her own grandmother's life as inspiration, Virginia Pye, author of the critically-acclaimed debut novel River of Dust, has written a stunning new novel of Americans in China on the cusp of World War II.

Dreams of the Red Phoenix, by Virginia Pye

  • Amazon Sales Rank: #746119 in Books
  • Brand: Unbridled Books
  • Published on: 2015-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .90" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 288 pages
Dreams of the Red Phoenix, by Virginia Pye

Review “With cunning plot twists — and especially an early one that leaves the reader amazed at her audacity — Pye raises the ante while giving equal attention to creating well-drawn characters . . . . And as if that’s not enough to grip the reader, her seamless and evocative prose enhances her story . . . . A tale of idealism and courage, deceit and treachery, “Dreams of the Red Phoenix” blends religion, family, geopolitics and history into a hearty, heartwarming and heart-rending feast of fact-based fiction, one inspired by Pye’s imagination and rendered with care and love.”—The Richmond Times-Dispatch“There's a comparison to Ballard's Empire of the Sun, but this unflinching look at a brutal era in a faraway place shares truth in its own way.” --Kirkus“Gripping, convincing, and heartbreaking, Dreams of the Red Phoenix is powerfully evocative of the complexities of life in 1930's China. A real page-turner and thought-provoker — wonderful.” —Gish Jen

About the Author Virginia Pye holds an MFA from Sarah Lawrence College and has taught writing at the University of Pennsylvania and New York University. Her highly acclaimed first novel, River of Dust, is also a historical novel set in China. Her father, Lucian W. Pye, was born and raised in China and became an eminent political scientist and sinologist. Her grandfather, Watts O. Pye, was a founder of the Oberlin College-Shansi Program which took him and his wife, Gertrude, to China as the first returning missionaries after the Boxer Rebellion of 1900. Her grandmother stayed in China after the death of her husband and fled with her son—Virginia’s father—on the last ship out of China to the U.S. following Pearl Harbor. Pye currently divides her time between Richmond, VA, and Boston, MA.


Dreams of the Red Phoenix, by Virginia Pye

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1 of 1 people found the following review helpful. Beautifully Crafted By Helen M. Foster As an observer of psychological processes, I found it satisfying that DREAMS OF THE RED PHOENIX, Virginia Pye's second historical novel about China, opened cabinets in my own mind via the telepathy and time travel of writing, conjuring an illusion that I was reading a sequel to her beautiful novel, RIVER OF DUST. But be advised: Though Shirley, the missionary widow, resembles the wife, Grace in RIVER OF DUST and shares many of her Grace's circumstances and character traits, DREAMS OF THE RED PHOENIX picks up with slightly altered circumstances and different characters. The satisfaction of discovering what happened to Grace and her family is illusory, though such is the gift of well-crafted fiction. It provides answers to questions lingering in the unconscious of the reader and tempts us to read on and find out more. Dreams of the Red Phoenix opens in 1937 as Japanese soldiers invade North China and Communism rises among the suffering people. Charles, the adolescent son of American missionaries to China, has recently lost his father and thrusts instinctively toward manhood. Failing to appreciate the dangers that his Chinese friends find all too clear, he spits over the mission wall at Japanese soldiers, the first of many impulsive actions. Hungry locals take refuge on mission grounds, and Charles's mother, Shirley, rouses from her grief and opium-induced apathy to nurse the victims of Japanese aggression. She and Charles, both complex and artfully drawn characters, stumble again and again, rising with new strength as they learn from the suffering, foibles, compassion, cruelty, and wisdom of their Chinese and Japanese servants, guests, neighbors, and potential enemies. Virginia Pye mined the experiences of her grandparents and father in China and researched the time and setting carefully for background in this powerful novel, which kept me reading past my bedtime and rang true as both a well-plotted read and an exploration of the relationships of people bending under the harsh pressure of history. I strongly recommend Dreams if the Red Phoenix to those who enjoy character-rich historical fiction set in other lands.

1 of 1 people found the following review helpful. Everything I Want from a Novel By Fredda Weeks after having finished Dreams of the Red Phoenix, I’m still wondering about what will happen to the characters now that the story has ended. This is the remarkable effect of Virginia Pye’s skillful character portrayal and expert handling of historic events.A Christian mission in China has endured for 10 years in its protected enclave. For all these years, the intrepid missionary, Caleb Carson, has dedicated his life to the Chinese, venturing far outside the walls to serve the people. His wife, Shirley, sheltered by her husband, devotes herself to their one child, Charles. Her contact with the Chinese is mostly limited to her son’s nanny and the others who serve the household.But all of this has begun to change by the time the book opens. Shirley, learning that her husband has died, is in mourning for Caleb. But now that she is suddenly on her own, and forced into the position of head of household, the Japanese invasion spreads to the town and the Red Army comes to fight against them; the fighting brings casualties and there is an immediate need for a medical clinic.It seems Shirley had been a nurse before she was married, and as she begins to use her skills to save lives and her home becomes a hospital for not only the local people but the Red Army soldiers, she finds herself the very capable boss of this impromptu sick ward, working closely with Captain Hsu, a dedicated officer in the Red army. Through her relationship with him and her role as nurse to the soldiers, she transforms. Essentially, she assumes the role of her husband and adopts the Communist vision. She comes to believe she is vital to the Chinese people, a doctor to the soldiers, risking her life to defend her adopted country against the Japanese and thus contribute to the coming ideal society. Her belief in her great value leads her to risk her life and forsake her son.Charles is also a vividly portrayed character, an adolescent thrust into near total independence. Though furious with his mother for abandoning him, he dives right into the chaos and opportunities for relationships with the Chinese as they start to dominate the household. In many ways, Charles’s perspective on the societal restructuring is far more accurate than his mother’s.Eventually, Shirley must make a choice that will shift her priorities, and her decision will lead to consequences she will never know. At this point, as I was reading, I actually became frightened of the repercussions of the event—well, frightened that it would end ironically. I often find ironic events painful to read, as though I’m either being forced to mock the characters or made to feel a gut-wrenching pity. But this is the point in the book where Pye’s talent as a writer proves transcendent. Instead of being led to despair, we are taken through a unique vision that is difficult to describe without giving too much away. I’ll just say I’ve never before thought of mud as a means of transcendence. Pye’s treatment of this moment reminds me of some of my favorite Chekhov stories.Unlike some other readers, I don’t know if Shirley will be transformed by this remarkable period of her life. I think that in choosing pragmatism over idealism, she may turn her back on her transformative experience in order to survive. You never know what people will do. In my life, they have continuously surprised me, and since Shirley has jumped off the page, I’m ready for her to do the same.

1 of 1 people found the following review helpful. A thrilling complex ride By Wendi A thrilling, complex ride through Japanese-invaded North China in 1937. It asks, among many other thought-provoking questions, what would you do for family?The inner resources of missionary wife Shirley Carson, a former Vassar girl and trained nurse, and her son Charles inspire as they mourn the apparent loss of the head of their family. The Reverend Caleb Carson has gone missing, and the local lore is that he died in a landslide.Shirley continues her husband's work as she believes he would want her to do, caring for the villagers and the hardworking peasants.Reluctantly at first and then with more conviction, she and her son reach out to the Red Army leading the Communist revolt. They set up a medical facility in their temporary home, the American compound.Their own lives in danger, at times it seems they have waited too long to plan an escape as they witness the mounting atrocities committed by the encroaching Japanese army. A page turner, I could not put the book down waiting to find out what would happen to this American family in such fraught times.

See all 18 customer reviews... Dreams of the Red Phoenix, by Virginia Pye


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Dreams of the Red Phoenix, by Virginia Pye
Dreams of the Red Phoenix, by Virginia Pye

Senin, 03 Maret 2014

Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

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Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton



Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

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Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers You can’t protect your children 24/7, you must prepare them! After overcoming his own troubled past, Eric Laughton shares his insightful story that will help you pave the road ahead for raising responsible teens. Join Laughton as he walks you through his L.E.A.D. process… Lead - being a leader is vital! Evaluate - when you examine your own life, your children will naturally do the same! Attitude - your attitude determines altitude! Decide - determine what kind of children you want to raise and become that person yourself! Decisions and Consequences is a down-to-earth guidebook that will help you discover how your own bad habits “teach” teenagers to overreact emotionally and to underestimate the real consequences of their decisions. It’s time to take a hard look at your own life! Discover the ten bad habits you must avoid if you want to raise a responsible teen. While you can't change the mistakes you made in the past, you can pass those lessons, minus the hardship, to your children so that they don’t have to make the same mistakes. Eric explains the importance of letting your children see you make mistakes and the leadership role of taking them on the journey as you overcome them. Learn to establish trust with your teens. All children are leaders and all children are followers; uncover the difference between a productive follower & submissive follower & why it matters. The most important thing that parents can teach their children is how to get along without them. - Frank A. Clark Eric Laughton is a professional law enforcement officer, a Lieutenant Colonel in the US Air Force, leadership/self-improvement expert and the author of two 5-star rated books: "The 4M's of Success" and "The Success Equation: Success + Attitude = Mastering Life." He is a qualified motivational speaker and a John Maxwell Team coach, trainer and speaker. He is also a fitness expert and professional bodybuilder. Eric has branched out on his own, speaking professionally and training others with his two leadership formulas: LEAD and the 4Ms of Success.

Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

  • Amazon Sales Rank: #2957066 in Books
  • Published on: 2015-06-03
  • Original language: English
  • Dimensions: 9.00" h x .29" w x 6.00" l,
  • Binding: Paperback
  • 126 pages
Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

About the Author Eric Laughton is a professional law enforcement commissioned officer, a Lieutenant Colonel in the US Air Force (ANG), leadership/self-improvement expert, and the author of the two 5-star rated books: "The 4M's of Success" and "The Success Equation: Success + Attitude = Mastering Life." He is a qualified motivational speaker and a John Maxwell Team coach, trainer and speaker. He is also a fitness expert and professional bodybuilder. Eric has branched out on his own, speaking professionally and training others using his leadership formulas. His first book, From Coma To Competition, is a true account of his near death experience and how he was able to turn tragedy into success, using his own 4M formula. Eric still suffers various medical conditions related to this experience but preservers through it. His goal with this and all his books, is simple: to bring hope to the hopeless to the ones who have suffered serious medical setbacks; to learn how to live despite what life throws at you; and how to use your attitude to succeed in life.


Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

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5 of 5 people found the following review helpful. The power tools of effective parenting By Beran Parry Bringing up children, especially teenagers, is unquestionably one of life's major challenges and this remarkable guide book to effective parenting provides plenty of answers and yet manages to shoot straight from the hip. The author's experience as a parent, as well his impressive career in the military and the police, enables him to explore some hard-hitting truths about the best ways to care for and educate our children. And his advice makes perfect sense. This is a remarkable man who has overcome incredible odds in his life yet who focuses essentially on helping us to guide our kids to make the right decisions, even from their early years. As a parenting guide, it's a clearly expressed and persuasive set of principles that take the mystery out of bringing up kids to be happy, confident and able to take responsibility for what they do - including the inevitable mistakes! It reads like a welcome breath of fresh air and I suspect that many educators and child care specialists would benefit enormously from reading and absorbing these well-considered principles. It's a classic.

4 of 4 people found the following review helpful. The Good Parent's Handbook. By Tag Powell The Good Parent's Handbook. I was a terrible parent. Looking back if I had this Parent's Instruction Manual things would have been different. My only saving factor was I had some good creative genes which was passes on to my kids without my conscious help. Don't get me wrong I was not a bad guy just to self-involved to help my family. Laughton's book would have been a great help as I meant well I was just on the wrong track.I once lost a friend for criticizing her book on parenting because she did not have kids. I can't fault the author as he has 5 boys to build his case.Real life experience is the key to this book. Lieutenant Colonel Laughton gives you the step-by-step process to guide your kids, especially teenagers, to an exciting future.The books starts with showing you where you are messing up. This will correct your methods and give you the understanding of where you are going wrong. The author reveals the ten major problem areas to direct your energy.He then takes you into the specific areas to help guide your youth. As an example he devoted a chapter to "How To Help Your Child Avoid Becoming A Submissive Follower". Your kid's will have active outside people remolding them into a problem areas. This is basic starting point of many teens going in bad directions. And this is only the second chapter of this necessary manual, there are eight action packed chapters.Truthfully this book makes me sad. Why did not someone write this information years ago? I would have used this information to improved the lives of my kids. (Please don't get me wrong my kids have turned out just fine.) I believe if you have kids and miss getting a copy of this work you doing your children's future a great disservice.Invaluable information! Recommended!

4 of 4 people found the following review helpful. This book delivers as promised… By Jim McCraigh Author and New York State Trooper Eric Laughton tells it like it is in this must-read book. Captain Laughton begins by making the statement that “coming from an excellent family does not automatically lead to good decision making”… how true! Drawing on his 25 year experience as a police officer, he offers a step-by-step how to guide for helping to keep your kids out of trouble when you’re not there.Laughton knows what he’s talking about. He starts out by sharing his own “almost” story about being arrested as a youth. I found that the author’s description of game changing moments and how it will be up to your children to make the right decision when these important choices are facing them to be powerful teaching opportunities. How I wish I’d had this book when my kids were growing up! I certainly recommend this well-written and easy to read book. Well done!

See all 20 customer reviews... Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton


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Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton
Decisions and Consequences: A Cop's Guide to Parenting Responsible Teenagers, by Eric Laughton

Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12,

Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

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Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker



Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

Best Ebook Online Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

This road map to Common Core success includes specific recommendations for free apps and tech tools, step-by-step guidelines for meeting standards, and teacher-tested lesson ideas.

Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

  • Amazon Sales Rank: #1540826 in eBooks
  • Published on: 2015-06-16
  • Released on: 2015-06-16
  • Format: Kindle eBook
Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

Review

"Extremely well written and includes excellent resources and ideas.  After reading it I no longer see the implementation of the Common Core as a daunting task.  Several ways to incorporate the standards into different subjects were discussed. I am looking forward to using these ideas in my science classes."

 

(Loukea Nakos Kovanis-Wilson, Chemistry Teacher 2014-11-24)"Catlin Tucker provides great ideas for student use of technology tools that cross the curriculum areas and allow the students to showcase their mastery of content. Students will love how the traditional classroom assessments are transformed!" (Kathy Schrock, Educational Technologist, Adjunct Instructor)"Catlin Tucker's Creatively Teach the Common Core Literacy Standards with Technology expertly explores practical applications that can help educators leverage digital tools in order to enhance their classroom practice and the culture of learning in and out of the classroom. The book contains a tremendous collection of actionable ideas that can be seamlessly implemented to make a difference in all aspects of the classroom. A must-own reference guide that will surely be a teacher's go-to resource to help bring the standards to life." (Adam Bellow, Founder of eduTecher / eduClipper)

"In this book Catlin Tucker demonstrates how technology can be leveraged to focus on the key skills in the Common Core. Her creative pedagogical approach, focusing on a dynamic use of technology, provides clear, easy to digest tutorials."

(Jason Markey, Principal)

About the Author

Catlin Tucker is an accomplished Google Certified Teacher, international trainer, education consultant, speaker, and author. She currently teaches in Sonoma County where she was named Teacher of the Year in 2010. She has also taught online college-level writing courses, which led to her interest in blended learning and technology integration. Catlin’s first book Blended Learning in Grades 4-12 is a bestseller. In 2015, Corwin published her second book Creatively Teach the Common Core Literacy Standards with Technology. She authored a blended learning course for ASCD and writes a monthly column titled “Techy Teacher” for Educational Leadership. Catlin earned her BA in English from UCLA and her English credential and Masters in Education from UCSB. She writes an internationally ranked education technology blog at CatlinTucker.com and is active on Twitter @Catlin_Tucker.


Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

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2 of 3 people found the following review helpful. Must Read for All Teachers By Ann Tirrell As the educational technology administrator for a large district in northern California these past 3-years, I’ve been witness to the growing anxiety of many teachers and administrators around the technology demands of the Common Core Standards. Charged with helping them make this HUGE paradigm shift to using technology for teaching and learning I hear from teachers I work with that they get it, they need to use technology with their students and they constantly ask how. They want to know the best tools and practices to use from the myriad of choices today. In my search to find ways to address these needs, I was thrilled to find Catlin Tucker’s book this summer. Ms. Tucker breaks down how to use technology to teach Common Core Literacy Standards for ALL teachers. The book title states it’s for grades 6-12, but she outlines the literacy standards for all grades, and some of the examples she provides for high school could be modified and adapted for elementary classrooms. The empathic tone and passion will encourage and inspire even the most reluctant teacher. Ms. Tucker is a pioneer who personally found useful ways to use technology in her classroom which wasn't filled with devices or even close to 1:1. All teachers can respect her wisdom and ideas about technological use in the classroom, because she has developed most of them from the ground up in her own class. The book is a testament to that. She knows what teachers need in the classroom. She will coach you through the challenges with tips such as “use one tool at a time.” Teachers will become empowered to use digital tools for reading and writing because Ms. Tucker illustrates, in detail, as only a masterful practitioner can, how to implement use of digital tools because she has been successful using them with her own students.All educators trying to implement the use of technology in their schools and classrooms will find “Creatively Teaching Common Core Literacy Standards with Technology” an incredibly helpful read. “Although this book is focused on how teachers can use technology to teach the Common Core Standards, I want to be clear that I do not believe technology alone will transform education.” Ms. Tucker writes early on in the book. “Excited, creative, eager-to-learn educators leveraging the newest tools available to actively engage students in learning will change education and blaze the path toward preparing our students for success in a rapidly changing global economy.” After reading this quote, I was hooked and knew I had found a very special resource, written by an innovative teacher calling us forward to pave the future road of learning together. I began to trust her knowledge, and maybe you will hopefully begin to trust that Ms. Tucker understands the challenges facing educators today while speaking passionately about the who, for her are the fundamental solution: Teachers.

0 of 0 people found the following review helpful. I love this book By Janet Welz-Kavanagh I love this book! Catlin Tucker writes in voice that talks me down off the ledge and helps me think clearly about the Common Core Literacy Standards. The first chapter is a reminder that we are making a shift from what students must know to what they should be able to do with their knowledge. Catlin outlines key points of emphasis in the Standards, and gives examples of how she has used technology in her own low-tech classroom to address these Standards. Though she teaches 9th and 10th grade, her classroom activities can easily be modified for middle school classrooms. Numerous technology tools and apps are written about in detail, with step-by-step directions for just about everything Google. Creatively Teach the Common Core Literacy Standards with Technology is a resource every teacher from grade 6 and up should have.

0 of 0 people found the following review helpful. Super resource for how to get over your hesitations about using new technology in your classroom! By Rho This book is absolutely worth the price! If you are a teacher who wants to increase using technology tools but who just doesn't know where to start, this book is the one for you. Step-by-step details, along with the "whys" of which apps work the best for different tasks, take the fear out of the process.It is helping me to create a blended learning environment with my students; I don't think I could do it without the guidance and encouragement in this book. I am going to show our principal and hope he buys some copies for the other teachers.

See all 9 customer reviews... Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker


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Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker
Creatively Teach the Common Core Literacy Standards With Technology: Grades 6-12, by Catlin R. Tucker

The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

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The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla



The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

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Poetry collection by Yesenia Montilla. Willow Books Emerging Poets & Writers Series.

The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

  • Amazon Sales Rank: #1714074 in Books
  • Published on: 2015-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .24" w x 5.98" l, .35 pounds
  • Binding: Perfect Paperback
  • 100 pages
The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

Review I love how the poems of The Pink Box record the mind as it makes difficult and intimate discoveries about race, family, and history. This poet crafts language from the familiar, the conversational, the everyday...and then the poem's a jolt to the senses, as if to ask, What did I really see? The spirit of observation and wonder animates these poems. I'm grateful for the way they break us open and break open our sight. I'm so delighted to welcome Yesenia Montilla's poetic debut. --Patrick Rosal, author of Uprock Headspin Scramble and Dive, American Kundiman, & BoneshepherdsWhen I read, in an early poem in Yesenia Montilla s The Pink Box, the lines, the orange tree / that stood in my aunt's yard / became my first lover, I was snared. Snared by a voice quirky and tender and hurt and seared with longing and the imagination that longing requires. This is a lovely and important debut. --Ross Gay, author of Against Which, Bringing Down the Shovel, & Catalog of Unabashed GratitudeThe Pink Box has been waiting for us. It has been waiting for our ears to see these poems, for our eyes to listen to them. Yesenia Montilla's poems cross fertilize space and time; linking the wilderness, the city, and an otherworld like a subway ride from uptown to downtown, cross town and back. Along the way, we don't just switch trains, we switch stations of desire: the Dominican Republic is the blues, Ayiti/Haiti is jazz, hip hop is abuelita. New York City begins on Hispaniola. Is it longing we hear? Or is it the crash of one island against another? Yes, there is yearning in these poems; for touch, for visibility, for a tongue not forgotten though not spoken, for bachata and merengue. And there is spirit; something unseen, called forth, like Dominican Gaga rooted in the bateyes, the sugar cane fields, of memory. Not only does Yesenia Montilla make a weaving of magic in these remarkable and tender poems, magic is its own holiness here. --Alexis De Veaux, author Warrior Poet: A Biography of Audre Lorde & Yabo

About the Author Yesenia Montilla is a New York City poet with Afro-Caribbean roots. Her poetry has appeared in the Chapbook For The Crowns Of Your Head, as well as the literary journals: 5AM, Adanna, The Wide Shore and others. A CantoMundo Fellow, she received her MFA from Drew University in Poetry and Poetry in Translation.


The Pink Box (Willow Books Emerging Poets & Writers Series), by Yesenia Montilla

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0 of 0 people found the following review helpful. The poet manages to tell of everything that is relevant to women today from love and loss By Jasminne Mendez If you are a Latina, you need this collection of poems in your life! If you are a woman, you need this collection of poems in your life. The poet manages to tell of everything that is relevant to women today from love and loss, to family function and dysfunction. Yesenia Montilla's work is raw, real, poetic, well-crafted and accessible.

0 of 0 people found the following review helpful. Five Stars By Curtis likes Great! Great! Great!

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Sabtu, 01 Maret 2014

Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

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Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart



Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

PDF Ebook Online Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

New York Times bestselling author Carolyn Hart’s ghostly gumshoe Bailey Ruth Raeburn is frequently amusing…but this is the first time she’s been a muse.When you wish upon a star, you get…Bailey Ruth? You do if you’re a little girl whose mom needs help and you touch the soft heart of Supervisor Wiggins at Heaven’s Department of Good Intentions. Granted it’s not the usual task of an emissary, but then again Bailey Ruth is not your usual emissary. So Wiggins dispatches the spunky spirit to her old hometown of Adelaide, Oklahoma, to help a single mother and struggling writer find some creative solutions to her problems.Deidre Davenport is just about broke, trying to support her two children, and has her hopes pinned on getting a faculty job with the Goddard College English department. Jay Knox, who is in charge of the writer’s conference she’s participating in, will decide who gets the job, but he’s more interested in her body than her body of work.Not long after his advances are rejected, Knox turns up dead—and Deirdre’s fingerprints are found on the murder weapon. Bailey Ruth knows Deirdre is innocent, and that the professor’s lewd behavior is bound to have rubbed others the wrong way. Now she must find out who really knocked off Knox...if Deirdre and her family are ever going to have a happy ending.

Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

  • Amazon Sales Rank: #711216 in Books
  • Published on: 2015-10-06
  • Released on: 2015-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x 1.01" w x 6.25" l, 1.00 pounds
  • Binding: Hardcover
  • 288 pages
Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

Review Praise for the Bailey Ruth Ghost Novels:“Bailey Ruth and Wiggins will delight readers who prefer their mysteries light and seasoned with wit and the supernatural…Hart’s vision of Heaven is a hoot.”—Boston Globe“Hart’s amusing and vivacious ghostly sleuth puts her invisibility, her gusto and her sharp mind to good use in her latest outing.” —Kirkus Reviews“A lively, original heroine and a pleasure to read… [Hart] is a master at constructing a mystery. She builds this one with finesse, suspense, and humor.”—The Oklahoman

About the Author An accomplished master of mystery, Carolyn Hart is the New York Times bestselling author of more than fifty novels of mystery and suspense, including the Death on Demand mysteries. Her books have won multiple Agatha, Anthony, and Macavity awards. She’s also been honored with the Amelia Award for significant contributions to the traditional mystery from Malice Domestic and was named a Grand Master by the Mystery Writers of America. One of the founders of Sisters in Crime, Hart enjoys mysteries, walking in the park, and cats. She and her husband, Phil, serve as staff—cat owners will understand—to brother and sister brown tabbies.

Excerpt. © Reprinted by permission. All rights reserved.

Berkley Prime Crime titles by Carolyn Hart

Title Page

Copyright

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 1

Katie Davenport looked up at the stars. Would it make a difference if she asked? After all, she was thirteen, not a little kid anymore, looking up at the night sky and thinking that bright star was listening to her. But still . . . “Star light, star bright, / First star I see tonight, / I wish I may, I wish I might, / Have this wish I wish tonight. Please help my mom.” Katie squeezed her eyes shut. “Star light, star bright . . .”

Paul Wiggins pushed back the stiff cap atop his reddish brown hair. He was a man of his time: thick muttonchop whiskers, a luxuriant walrus mustache, starched high-collared white cotton shirt, heavy flannel trousers supported by suspenders, and a sturdy black leather belt. He turned from the broad window with its commanding view of the rail station platform and silver tracks. A folder rested on the corner of his yellow oak desk. He was rather sure the folder had not been there until this instant.

The folder’s presence reminded him of the power of hopes and wishes that wing their way across starry night skies. He picked up the folder, smiled at a boisterous cover of unicorns, shooting stars, soccer balls, and laptops. He lifted the flap. A dossier contained a photograph of an attractive woman in her mid-thirties with frizzy brown hair and an expressive face. Ah yes, Deirdre Davenport, single mom, struggling author, job seeker. He scanned the facts. Deirdre Davenport was in a tough spot, though not the kind of trouble usually dealt with by members of his department. Still, heartfelt pleas mattered to him. “Star light, star bright . . .”

Slowly, he nodded. He knew the perfect person to send to the rescue.

I welcomed the gentle slap of a swell, quite different from towering waves that crashed over and sank the Serendipity on our ill-fated fishing trip in the Gulf. A steady backstroke carried me through warm salty water toward a beach similar to Padre Island. I took a breath of salt-scented air, then abruptly, as if galvanized, I picked up speed.

I had a sudden bright picture of Wiggins in my mind. Wiggins, the chief of the Department of Good Intentions, dispatched emissaries to earth to aid those in trouble. In my mind, I heard the sounder on his desk amplifying the clack of the Teletype. I reached shallow water and stood. True to my thought, a telegram sprouted in my hand. Breathlessly, I read the message: Your advice and counsel sought. Come at once if possible.

Wiggins is old-fashioned. The fact that telegrams have been supplanted on earth by texts and e-mails is of no interest to him. He sent telegrams when he was a stationmaster in the early nineteen hundreds. He sends telegrams now.

I moved fast, the sudsy, warm water splashing as I went. On the beach my ethereal form appeared in a fetching summer blouse and skirt. No need for towels and such. I simply thought as I wished to be and there I was, red curls shiny as a new copper penny. I waved to gain Bobby Mac’s attention.

He looked across the water and waved in return.

I gestured toward the sky, pulled air deep into my lungs, and managed a creditable imitation of a deep train whistle.

Bobby Mac understood at once, gave me a jaunty farewell salute.

I waved a kiss to my husband. What a man. Bobby Mac is still as dark-haired and handsome as the high school senior who stopped a skinny redheaded sophomore in the hall one day, and said—blunt, forthright, and determined—“We’re going to the prom.” We’ve been going together ever since, good days and bad, happy days and sad. Someday, when we have more time, I’ll tell you the secrets of a happy marriage. Number one? We laughed together. We’re still laughing.

Right now, I had other fish to fry. One of Heaven’s many delights is the ability to go anywhere in an instant. Think, and there you are. I hurried up the steps of a turn-of-the-century redbrick train station. There was no door. As I’ve explained before, Heaven doesn’t run to doors. No one is shut in or shut out.

Heaven?

Do I see an incredulous expression? Hear a cackle of amusement at such naïveté?

It isn’t my role to convince skeptics that Heaven exists, despite my firsthand experience.

Oh yeah? comes a sardonic reply. So who are you and who stamped your ticket to the Pearly Gates?

In a quick thumbnail, I am Bailey Ruth Raeburn, late of Adelaide, Oklahoma. That’s right, late as in dearly departed, though that sounds a little too solemn for me. I prefer happy voyager. That was my attitude on earth as well. As for Bobby Mac, when he wasn’t hunting for oil, he was fishing, and he never met a tarpon he wouldn’t chase. That quest led to our arrival in Heaven when a storm in the Gulf sank the Serendipity. We were on the shady side of fifty when we arrived, but another of Heaven’s delights is the ability to enjoy your very best age. Twenty-seven was a very good year for me, and that’s how I now appear both here and when on earth. I’m a redhead with a spattering of freckles. Green eyes. Slender. Five foot five. A few revelations (not Revelations; that material is more suitable for saints, especially Teresa of Avila, who is as charming as she is erudite; and yes, I do know her. So there!): I love to laugh. I really, really try to follow the Precepts. (More about that later.) I have a taste for fashion.

Fashion. I’d made a quick choice on the beach. I wanted to look just so for my arrival here. I felt like June, the month of daffodils and daisies and dandelions. Yes, dandelions. I love their delicate toppings of fluff. Those feathery crowns inspired my choice of a gossamer-fine pale blue knit top over a white linen tank and white midcalf cotton pants and white wedgies that added an inch to my height. Admittedly, the colors favor a redhead, but I don’t think it’s vain to wish to appear one’s best.

I hurried inside the station.

Wiggins gazed through the window at silver tracks winding into the sky, his genial countenance thoughtful. A thumb and forefinger tugged at his bristly mustache.

“Wiggins!” I caroled.

He looked around, smiled. “Bailey Ruth. It’s good of you to come.” He glanced at a gaily decorated folder on his desk, then at me, started to speak, stopped.

I sensed he was having second thoughts about his summons. Perhaps my costume was too frivolous. Wiggins admires restraint, i.e., he is fond of plain, unadorned—let me be utterly frank—hideously unattractive clothing as an indication of modesty and docility. As Bobby Mac would agree, perhaps too vehemently, docile has never been in my job description. However, Wiggins clearly must perceive a problem calling for my expertise. If, however, my lovely costume was off-putting, I would—nobly—sacrifice for the cause.

With an inward sigh, I transformed my appearance: a prim dull green cotton blouse, a straight khaki skirt, flat black loafers, my tangled red curls drawn back in a bun. My face is rather thin. I hoped I didn’t look like a redheaded ferret. I felt my nose wriggle. Perhaps I’m too suggestible.

Wiggins’s expression remained thoughtful, preoccupied.

The problem, then, wasn’t my appearance.

I thankfully changed back to my summer choice.

Wiggins glanced again at the folder. “Deirdre Davenport is certainly challenged, but perhaps her situation isn’t serious enough to warrant intervention. But that sweet plea by her daughter touched me.”

I looked at him with great fondness. “You are always kind.”

He endeavored to appear stern. “We can’t be everywhere, solve everything.” He began to pace. “I am torn. My resources are limited. Perhaps I am being foolish.”

I avoided saying, Huh?, that favored reply in senior English when I asked a football player to explain the significance of the corrida in The Sun Also Rises. “You know I will be glad to help.”

And, oh, how ready I was for an earthly adventure, though I kept my mien solemn. Wiggins finds a taste for excitement suspect, but, as I always say, why not have fun along the way? It was a motto that served me well in life. And since. Yet I must be circumspect. Wiggins expects his emissaries to be, if not solemn, certainly serious and always to follow the Precepts.

As if in response to my unspoken thought, he gave me a questioning look. “You are always eager to be of help, but this time can you follow the Precepts?”

Was this my cue? Quickly, I took a breath and sang—I have a strong soprano—in a syncopated beat to a version of “Zip-A-Dee-Doo-Dah.”

PRECEPTS FOR EARTHLY VISITATION

   • Avoid public notice.   • Do not consort with other departed spirits.   • Work behind the scenes without making your presence known.   • Become visible only when absolutely necessary.   • Do not succumb to the temptation to confound those who appear to oppose you.   • Make every effort not to alarm earthly creatures.   • Information about Heaven is not yours to impart. Simply smile and say, “Time will tell.”   • Remember always that you are on the earth, not of the earth.

I squashed words together to get everything in, but I managed. If I’d hoped for a smile, I was left high and dry.

Wiggins’s gaze was stern once again. “You must admit you have difficulty with Precepts One, Three, and Four.”

Appearing was a sore point between us. It wasn’t that I intended to flout the Precepts when on earth, but honestly, sometimes you have to be there.

“Wiggins.” I was solemn, straightforward, and almost believable. “You know I never want to appear.”

After a moment, he laughed, a wonderful, deep roar of laughter. “When I believe that . . . But you are the right person if this task should be undertaken. You are always creative.”

I basked, unaccustomed to fulsome praise from Wiggins.

“And the problem”—he sat in his desk chair, picked up the folder—“is in Adelaide.”

Whoops. I felt like a fast filly on the homestretch. Adelaide, nestled in the rolling hills of south central Oklahoma, was my town. I was sure it was June and there would be wildflowers, delicate blue and pale rose, and the smell of freshly turned earth after a rain, and the swoop of hawks against the dusky night sky. I loved returning to Adelaide. Of course, I still nurtured a faint hope that someday Wiggins would send me farther afield: Rome, Nome, Madrid, wherever. It was a great big world and I was ready. Would he ever have the confidence that I could succeed elsewhere? Perhaps if I acquitted myself superbly in this instance—whatever it was—my horizons would widen.

“Adelaide? Of course I’ll help.” I perched on the edge of his desk. “I’m ready.”

“You were an English teacher. Another point in your favor.”

I was transported to a hot classroom—not much was air-conditioned when I taught—and a clutch of restive football players, sitting, of course, in the back row. I could see them now: Jack, better known as Two-Ton, cadaverous Michael, mischievous Reggie. I’d won their hearts with Sydney Carton.

I took a deep breath and declaimed—and you don’t know declamation until you’ve taught English—“‘It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.’”

Wiggins’s face softened. “Redemption. Always beautiful. Always noble.”

We shared an instant of silence in tribute to love’s power to transform.

But his worried frown quickly returned. “Delicacy. Behind the scenes.”

I placed my hand on my heart. “You can count on me. Delicacy.” I broke into a soothing verse of “Delicado.” I’d loved Dinah Shore’s version. The song was after Wiggins’s time, but he listened with a faint flicker of hope in his eyes.

“‘Handle with care,’” he murmured. “Yes, decidedly so. A young mother, desperate for a job, and desperate as well for inspiration. Could you be inspiring?” He looked at me doubtfully.

“Can I be inspiring?” I crossed my legs. “Why, inspiration is part of my nature.” There was the time I inspired a mass walkout from a city council meeting, but perhaps that wasn’t quite what Wiggins had in mind.

He brightened. “To serve as a muse is a high calling though not the usual task set for an emissary. Think of the muses, Calliope, Clio, Euterpe . . .” He rattled off the names of the nine muses. “Keep them in mind.”

The Teletype suddenly clattered. He swung about, grabbed a pad, made hurried notes.

Outside came the deep-throated wail of the Rescue Express nearing the station. The clack of the wheels sounded louder and louder. The acrid smell of coal smoke tickled my nose, elixir to a spirit ready to rumble. I came to my feet, held out my hand. “Quick. I’ll go.”

Wiggins glanced out the window, knew time was short. He pushed up from his chair, strode to the slotted wooden container near the ticket widow, grabbed a red ticket, gave it a stamp.

I ran out the door, ticket in one hand, a sheet of paper with Wiggins’s notes in the other. As I climbed aboard, Wiggins shouted, “She is seeking inspiration . . . her plight is desperate . . . bank account . . . Do your best . . .”

I stood in the swaying vestibule—on my way to Adelaide, on my way to Adelaide—and tried to decipher Wiggins’s back-slanted scrawl: Deirdre Davenport . . . single mother of two . . . bank account almost empty . . . writes clever mysteries . . . hasn’t sold her last two books . . . must have a job . . . applied for a faculty position at Goddard . . . decision to be announced tomorrow. . . .

I settled unseen on the chair by the desk in a modest hotel room. The joints squeaked as the chair swiveled.

A young woman flicked a puzzled look toward the chair, then gave a little shrug. I liked her at once. Probably mid-thirties. Old enough to have lived and learned and lost. Frizzy brown hair needed a trim but was the color of highly polished mahogany. She had an air of leashed vitality, a woman with too many ideas to consider and tasks to accomplish and destinations to seek to think about herself and haircuts. Her long, expressive face puffed in exasperation with a touch of bitterness. She sat cross-legged on a saggy sofa, a laptop balanced on her knees. A cell phone rested on a coffee table.

A young thin voice talked fast. “. . . not started yet?”

Obviously, the phone was in speaker mode.

“Not yet, honey.” Her tone was cheerful, but her expression was forlorn.

“Mom, don’t you need to sell a book pretty soon?” The boy’s voice was high and scared.

“Don’t worry, Joey. I’ve had rough patches before. One of these days I’ll be able to start.”

“Look, Mom, I’ve been thinking about your book. I just finished the new book about Elvis Cole. You know—”

Now her smile was wide. “Robert Crais’s PI.”

“He is so cool.” The young voice was awestruck. “Why don’t you write a book like that?”

“I would if I could, but that’s not the kind of book I write. My readers want lots of fun.”

“Mom”—he sounded solemn—“you used to be happy all the time and you couldn’t wait to get to work, but now—”

Deirdre’s angular face drooped. But her voice was brisk. “Hey, Joey, I’m fine. I’ll start a new book this weekend.”

“You will? That’s great.” His voice lifted in relief. Then, a pause. “Can I come home early? Dad’s girlfriend wears perfume that makes me cough and I heard her making fun of my glasses. Please.”

“Baby, I’d come get you if I could. But I have to stay here this weekend. Try to have fun. Your dad loves you.”

“Yeah.” The boy’s voice sagged. “Sure. Then why’d they go out and leave me here by myself?”

Her lips quivered and I knew she kept her voice bright with an effort. “Joey, you can handle it. Look, I’ll drive down Monday and pick you up.”

“Monday.” It must have sounded long distant to him. “Okay. See you then.”

The call ended.

She came to her feet, face crumpling, hands clenched. She took one deep breath, another, another. “Come on, Deirdre. You told Joey to handle it. You handle it. You don’t have any choice.”

I liked the sound of her name, Deer-druh. I liked the way she lifted her chin. I liked her staccato speech.

She clapped her hands on her hips, stared across the room at her image in the mirror. “Handle it, babe. So you owe money everywhere in town. So you spent next month’s house payment to send Katie to camp. So you haven’t sold your last two books and you’ve got two hundred and forty dollars in your checking account and you’re maxed out on two credit cards. Think positively. That’s what you tell the kids. Jay will pick you for the job. Jay will pick you for the job.”

She whirled, flung herself onto the sofa, grabbed the laptop, glared at it. “You’re about as cold as the grave scene in Doctor Zhivago. I told Joey I’d start a book this weekend. Sure, and in my spare time I’ll pop a plan for world peace and write a treatise on the mating habits of piranhas. I try to write and nothing happens. Is it crazy to talk to yourself? But there’s nobody else I can talk to. Wesley likes being single and he has a girlfriend with too much perfume. I can’t tell Joey and Katie that I’m broke and desperate, but they know I’m stressed. It’s like I have coyotes running circles in my head. Bills, Jay, the kids, whether I make the cut, get the job. I can hear Jay now, his voice smooth as honey: ‘My decision is momentous for our faculty, our students, the state’s writing community.’ Oh yeah, pompous ass. Momentous for me and Harry, too. Trust Jay to insist that he’s still struggling with his choice. Too bad he’s got carte blanche. Maybe nobody else on the faculty cares.”

She looked down at the laptop, her face creased in a tight, frustrated frown.

Without warning, the door swung in. A man stepped inside, closed the door firmly behind him. Six feet tall, he was well built, knew it. His T-shirt was tight. Faded jeans hung low on his hips. He was barefoot. He leaned back against the door with all the assurance of a tousle-haired Hollywood bad boy and that was the look on his face—suggestively seductive brown eyes, lips parted in a sleepy smile. “Hey, Deirdre.” He carried two champagne glasses and a magnum. “Time for a little celebration.” His dark eyes ignored her face, grazed slowly down her body, lingered on her long bare legs. “Nice.”

She came to her feet, stood quite stiff and still. “How did you get in?”

“The kid at the front desk doesn’t know who’s in room 206. I told him I was Jay Knox”—emphasis on his last name—“and I locked myself out. So here I am. And here you are.” He drawled the last sentence.

“The clerk should have asked for an ID.” My tone was hot. I clapped a hand over my lips, but it was too late. My husky voice could always be heard in the last row.

He gave her a sleepy smile. “I like the new voice. Deeper than usual. Kind of throaty. Sexy. As for ID, I may have mentioned my uncle. Useful that he owns this place.” He spoke with easy assurance, accustomed to the deference a small town accords certain families.

Knox? Like pieces slotting into a puzzle, I remembered Jeremiah Knox, the long-ago beloved dean of arts and sciences at Goddard. His wife, Jenny, was a volunteer for children, reading, the arts. Whatever needed to be done, Jenny Knox was ready to help. I had a hazy memory they’d had several children. This would be a grandson. He was handsome in the Knox manner, sandy-haired, broad face, generous mouth, but there was a hint of dissolution in the curl of those full lips. Even the best oak tree can spawn rotten acorns.

“Yeah, I like that voice. Say something else, Deirdre.”

Deirdre knew she hadn’t spoken. She looked back and forth, turned to glance behind her.

Jay’s laugh was easy. “It’s okay, sweetie. Nobody here but you and me. I like it that way.” He started toward her.

She said sharply, “Jay, I’m not dressed—”

Actually, Deirdre was more fully dressed than women today appear at swimming pools, and was quite attractive in an azalea pink cotton sateen shirt tunic and adorable light feathery mukluks. Of course, the tunic only reached her upper thighs, and she had long, well-shaped legs.

“—and you need to leave.” Her tone was flat, her gaze cold.

“Less is more.” He placed the champagne bottle and glasses on the coffee table in front of the sofa, but he never took his eyes off of her. He took one step, another. She stood her ground. “Jay, I’m asking you to leave. Now.”

He reached her, stood too close. “Come on, Deirdre. You’re no kid. The night’s young. We can have fun.” He reached out with both hands, gripped her arms, pulling her close.

“Let go.” Deirdre’s voice rose.

He gave a hot, low laugh. “Loosen up, lady. Maybe I forgot to mention all the duties in your job description. That is, if you get the job. How bad do you want the job, Deirdre?”

She strained backward. “Let me go.”

I was at the door. I yanked it open as, colors swirling, I appeared—but, of course, I was already inside the room.

Jay stood with his back to me, hands clamped on Deirdre’s arms.

Deirdre stared past Jay at me. Her eyes widened. Her lips parted. She tried to speak but no words came.

I looked over my shoulder as if speaking to someone in the hall. “I’ll take a rain check on a drink. I promised Deirdre I’d drop by. She offered to help me”—I was at a momentary loss, but after all, as Wiggins recalled, I had taught high school English—“with the transition from chapter four to five. She’s so generous to new writers.” By the time I closed the door and moved toward Deirdre and Jay, he was standing a few feet away, facing me, a startled look on his face.

“Professor Knox,” I burbled as I hurried forward, gazing at Jay in delight. “I’ve heard so much about you.” This was usually safe, though I knew only enough about him to write a single-word description: Jerk.

Deirdre blinked several times, perhaps trying to erase the memory of colors moving and coalescing.

I glanced at the mirror. Surely she approved of my ivory cotton-knit tunic with the most elegant medallion trim at the neckline and six to eight inches of an intricate design at the hem. Black leggings and black strap sandals with faux stones were a perfect foil for the ivory. And, of course, for red hair.

I held out my hand to Jay, loved the flash from the large faux ruby ring that echoed the red stones on the sandals. “I’m”—I hesitated for an instant. St. Jude was the patron of impossible dilemmas, and that seemed a good appraisal of Deirdre’s status—“Judy Hope.” Surely Wiggins would be impressed.

I glanced at Deirdre.

Her expression was glazed, but she came through. “Judy”—she managed a strained smile—“I’m glad you were able to . . . drop by.” She was torn between sincere gratitude for her deliverance and mind-stretching incredulity at my arrival.

“I’m so eager to talk about the transition.” I hoped this would help her get past her wooden speech.

“Transition,” she repeated as if the word had no meaning, her gaze still focused on me. “Oh. Oh yes, of course. Transition! We had a good discussion about leading into a new chapter. I know we can make some progress.” She turned to Jay. “I know you’ll forgive Judy and me if we get right to work.” She hurried to the coffee table, grabbed the champagne bottle by the neck and the glasses in her other hand, thrust them at him. “I’ll see you in the morning.”

He took the bottle, tucked it under his arm, the glasses in his left hand. He moved in an easy slouch, gave her a steady stare when he reached the door. “Tonight. Cabin five.” He spoke casually, but the message in his eyes was clear: You want the job? Show up.

Chapter 2

I’d like to say Deirdre was delighted when the door closed behind him.

Instead, she stared at me and slowly backed away, a step at a time. “You . . . weren’t there.” Her voice was shaky. “The doorway was empty. Nothing. And then”—she waved her hands—“colors shimmered. There you were. You can’t be here, but you are. I see you. I must be crazy.” She clasped long slender fingers to each temple.

“You’re not crazy at all. I wasn’t there. Then I was.” I was glad to reassure her.

She gave a ragged laugh. “That’s swell. Not there. Then here.” She stumbled to the sofa, sank down in one corner. “It’s stress. I’m trying to come up with a book. Maybe you’re part of a book.” There was a desperate hope in her voice. “Yes. A book. There’s this cute redhead—”

I smiled. What a dear girl.

“—who is Johnny-on-the-spot when Jay’s acting like an ass.” She stopped, looked grim. “It was worse than that. I’m afraid if you hadn’t come . . . But you did. Look, did you ask for a key at the desk and maybe the light was funny when you came in . . . ?” Her words straggled to an end.

“It’s better not to worry about things we can’t change.”

I saw the realization in her eyes that the light in the doorway had been fine. She’d seen colors and the colors were me appearing and that was not an experience she understood.

I was brisk. “Everything works out for the best. I was able to come and intervene in what had the makings of an unfortunate event.”

“Very unfortunate.” Her voice was thin. She gave me a long, careful look.

I resisted fluffing my hair. A quick glance in the mirror reassured me. I looked as nice as could be.

“Judy Hope,” she said experimentally. “You aren’t wearing a name tag.”

“Should I be?” I was truly curious.

“Are you here for the writers’ conference?”

I beamed at her. “I’m here for you. I want to help you with your stress. What’s the problem?”

She squeezed her eyes shut for a moment, opened them.

I smiled again.

Her breath was a little quick. “Judy Hope. Okay. As they say, when somebody gives you a gift, say thank you, even if you don’t have a clue about why. Thank you. You arrived in time to save me from a fate I wouldn’t wish on any job seeker—”

“Job seeker?”

“If you’re here to help me, you missed out on the basics. Problem? I guess I can sum it up in two words. Money and sex. I need a job. Specifically, I applied for a new opening in the English Department at Goddard. . . .” She looked at me questioningly.

“Goddard College, the pride of Adelaide.”

“Okay. Anyway, it’s a job to teach creative writing. Who gets picked is up to Jay Knox. You just met him. I should get the job. I’ve actually sold books. Harry Toomey, the other finalist, wrote a thriller, which he self-published. The book has a slick cover on the outside, but the prose is plodding—clump, clump, clump. The words have the zing of stale soda. Jay looked me right in the eye and pointed out that self-pub’s the wave, the new force in publishing, and has a lot of appeal. That’s true if you want to suck in people who pour their hearts into a book and pay somebody to print it and think that’s publishing. For anyone who wants to build a career as a novelist, it’s a dead end nine times out of ten.”

“You believe it’s exploitive?”

“I do. And what really makes me sad is when a self-pub book’s really good and could reach readers but the author doesn’t know how to make the right connections. There are always exceptions, but, trust me, Harry isn’t one of them. Oh, you don’t care about any of this. Anyway, I’m the headliner tomorrow at eleven at the annual Goddard College Writers’ Conference.” Her voice indicated a quote: “‘Knock ’em Dead with a Killer Beginning.’ And Jay will announce the new faculty member tomorrow.” Her eyes were intense. “I have to get the job. I’m out of options, out of money, and I can’t ever seem to get a new book started.”

I said gently, “If you’ve done it before, why not this time? What’s wrong?”

“If I knew, I’d fix it. I try to write and I can’t even come up with yada yada yada. I think I have an idea and you know what happens? I set it up: the protagonist is a nice girl, her boyfriend’s dumped her, she comes home to the small town, going to open a bakery or a pottery store or maybe a cat hotel. Cats are big. We’ve got a cat. His name’s Cassius, so now you know what he looks like. She can have a cat hotel, the cats tell her things. But that night somebody throws a rock through her window. She hurries to the window.”

I leaned forward, expectant.

She brushed back frizzy curls. “She looks out and there’s this ghostly form and she hurries downstairs and out on the porch . . .”

“Yes?”

“That’s the problem. Nothing happens! I don’t know who she is or what she looks like. I don’t know why anybody cares if she’s back in town. I keep trying and nothing happens. It’s like I have a dead squid for a brain.” She lifted long, thin fingers, gently massaged her temples. “I write—used to write—light, funny books about zany characters. Before my brain turned to Jell-O and the neurons stopped connecting. I’m absolutely desperate. I thought maybe if I meditated, that would help. I let my mind empty out and I focused on one idea: I need inspiration. I need inspiration. I need inspiration.”

I clapped my hands together. “That’s why I’m here.”

“But I need a hilarious character, like something out of Janet Evanovich or Parnell Hall.”

I was a bit short on hilarity at the moment, but perhaps practicality would be helpful. “If the job at the college doesn’t work out, you can look for another job.”

“You don’t understand.” She sounded exhausted. “If I make Jay mad, he’ll make sure I don’t get a job anywhere in town. One of his sisters works at the Chamber of Commerce, another runs a charitable foundation, a brother’s the assistant managing editor at the Gazette, his aunt heads up human resources at the hospital. Anywhere I’d try to get a job, there would be a Knox. They’re all wonderful people, but they have one blind spot and you just met him—handsome, spoiled, ‘whatever I want I get’ Jay. He’s the baby of the family and nobody in the family or in town ever admits Jay’s a louse because the Knoxes are wonderful. End of story. I don’t have enough money to move anywhere.” She ended on a defeated sigh.

I’d definitely chosen the right name. I hoped St. Jude was at my shoulder. Deirdre’s back was against the wall, no money coming in, bills to pay, expenses to meet. It was easy to say, Look for another job. But obviously, in her mind, the Knox family had plenty of clout. As for well-paying jobs, those are on a lot of wish lists. It’s easy to get huffy and say to take any job, but if the pay doesn’t match the bills, where are you?

Speaking of jobs, mine was clear. “Every problem has a solution.” I hoped I didn’t sound like my well-meaning high school geometry teacher who lost that cheery certainty before I exited his class.

I plopped onto the sofa beside her.

Deirdre stiffened, pressed hard against the side of the sofa. She glanced toward the closed door, no doubt recreating in her mind the riveting moment when I appeared.

I waved a hand in dismissal, admired the pale rose of my nails. Possibly, the ivory blouse demanded carmine.

Deirdre stared at my fingernails, now brilliantly red, and blurted out, “Maybe I didn’t know how easy I had it. I’m broke. Jay wants to trade the job for sex. But that’s real. Sleazy but real and I’m a big girl. But you!” She reached out tentatively, touched my arm, yanked her hand away as if her fingers burned. “You are really there. Or”—she drew a ragged breath—“if I’m imagining you, I ought to be in a sideshow. Come one, come all! Look at the woman who sees people who aren’t there!”

I patted her knee. “Deirdre, take a deep breath. You’re fine.”

She jerked like she’d encountered a jellyfish, drew herself together as if ready to bound from the sofa.

“Please,” I urged, “sit back and relax. I’m here to help you and I’m as real as can be.”

She stared with saucer-shaped eyes, but, even though her muscles were rigid, she remained seated.

I had to be accurate. “For the moment.”

“For the moment. If I’m really quiet, will you go away?”

I was patient. “Deirdre, let me help you.”

She gave me a forlorn gaze. “You’re the rescue squad? Who are you? Where did you come from? How did you get here? How soon will you leave?”

I was afraid I smelled a whiff of coal smoke. Surely Wiggins understood this woman was in dire need of a champion. And in dire need of reassurance. I was crisp. “I’m Bailey Ruth Raeburn. I used to live in Adelaide. When I was alive.”

“Alive?” Her voice cracked.

“Before I went to Heaven.”

She made a despairing sound. “If I wrote it all down . . . it wouldn’t sell. Nobody would believe me.” A quick breath. “You told Jay you were Judy Hope.”

I smiled modestly. “I’m not making any claims, but St. Jude is the patron of”—actually impossible was his specialty, but she might find that discouraging—“people in difficult situations. And Hope is a key virtue.”

“Bailey Ruth. Judy. What do I call you?” A frantic head shake. “What am I saying? How can I have a conversation with somebody who isn’t real?”

“I am real for the moment.” I felt this was a profound insight. “As for names, if we meet in public, call me Judy. When we’re alone, I’m Bailey Ruth.”

“Judy. Bailey Ruth.” She still sat as rigid as a post.

“Let me put your mind at rest. . . .” I described the Department of Good Intentions and Wiggins and his concern that she was stressed and that’s why I was there. “Wiggins speaks highly of you.”

She continued to sit as stiff as a starched crinoline.

“Pretend you’re in Miss Silver’s drawing room and her wonderful calm demeanor assures you that everything is going to be all right.” My voice was soothing.

She looked at me blankly. “Who’s Miss Silver?”

I was shocked. “You call yourself a mystery writer and you don’t know Miss Silver?”

Now she was ruffled. “I’ve had six books published. Secret of the Scarlet Macaw, The Dragon Hissed, Dance of the Derelict—”

I hastened to interrupt. “That’s wonderful. But all mystery readers know Patricia Wentworth’s Miss Silver.”

Her smile was quick and apologetic. “I’ll look her up.” Then her wary expression returned. “But let’s stick to the subject. You say you’re going to help me. How?”

“Yes. It’s really very simple. I intend to inspire you.” But first I needed to solve her job situation. Then she would relax and be able to write. “Tell me about you.”

She streaked fingers through her frizzy curls.

I wondered if she indeed resorted to old-fashioned permanents or if her hair naturally bristled.

“Okay.” She made a production of the word, a low o, and the emphasis on a higher-toned kay. “Life story of Frazzled Middle-Aged Multitasking Mother with Writer’s Block for Woman Who Doesn’t Exist but Here She Is. I’m—”

Her cell phone rang.

She shot me an apologetic look, yanked it. “My daughter. She’s at camp. I’d better take it. . . . Hi, honey. I thought you’d be in bed by now. . . . Your voice sounds kind of muffled. . . . Oh, Katie, don’t cry. . . . Of course it’s not a problem. I wanted you to go to camp. I had money put back for that. Now, you get to sleep and don’t worry about anything. Everything’s fine here. . . . That’s my girl. No more tears. Promise? . . . Good night, honey. Sleep tight. Don’t let the bedbugs bite.” She turned off the phone, looked at me. “They’re camping out and she called me huddled inside her sleeping bag, sobbing because the camp costs so much and she knows I don’t have the money and maybe she should just come home now and maybe they’d give us some money back.”

“Kids know when we’re in trouble.”

“You got that right.” She looked bleak. “I’m panicked about money and now my kids are panicked.”

“So you need this job.”

“In spades. And I’m thirty-six. It isn’t easy to get a job at my age, especially when you haven’t worked for a long time. I was a reporter on the Gazette, then I quit to stay home with the kids. My ex-husband walked out last year. I write mysteries but they only make enough money for a down payment on a car, like the Mazda he’s now driving in Dallas, or to pick up three months of house payments. I haven’t sold any books lately. The Gazette doesn’t need me and the pay there is only okay if you’re single. Now I’m a single mom without any savings. This great job opened up at Goddard and I applied. I’m qualified. Sort of. I don’t have an advanced degree, just a BA, but I’ve been a reporter, had six books published. I can teach writing. Between us, you can’t teach how to take an idea and turn it into a story that pulls in a reader like Poe’s maelstrom.”

I nodded approvingly. One of my favorite short stories.


Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart

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Most helpful customer reviews

3 of 3 people found the following review helpful. A superb mystery packed with ghostly fun! By Lisa Ks Book Reviews The delightful Bailey Ruth Raeburn is back!GHOST TO THE RESCUE is another brilliant installment in the spirited series featuring the fashion loving ghost, Bailey Ruth. Each book in the Bailey Ruth Mystery series is better than the one before.Author Carolyn Hart is a magnificent author. With this wonderful book, she made me feel the same joy I felt when watching Touched By An Angel and Highway To Heaven. Bailey Ruth is no angel, but her personality and spunk are completely endearing.GHOST TO THE RESCUE is in my eyes a flawless story that sent me on a magnificent adventure I didn’t want to end. A mystery filled with twists and turns, this story was also a lot of fun. As exciting as it was to turn each page, the closer to the end of the book I got, the slower I read so I could make it last.Fans of this series and new readers alike are going to love this superb mystery packed with ghostly fun.

1 of 1 people found the following review helpful. Murder at the writers' conference By Chrijeff Bailey Ruth Raeburn's heavenly supervisor, Wiggins, wasn't expecting that she'd get mixed up in yet another murder when he sent her back to her old hometown of Adelaide, OK. His hope was that she could fulfill the wish of a child. Deirdre Davenport, a divorced mother of two, is scraping the bottom of the financial barrel, and if she can get a professorship at Goddard College and break out of her current case of writer's block, she can turn her life around. "Can you be inspiring?" asks Wiggins, and Bailey Ruth is positive she can.When Bailey Ruth gets to Earth, she quickly finds Deirdre--and trouble. Jay Knox, the beloved "baby" of one of the town's best-loved and most influential families, holds the deciding role in whether Deirdre will get the job--and he wants the pot sweetened. Deirdre isn't having any. Then Jay turns up murdered, and Deirdre is the prime suspect, her fingerprints having been found on the weapon. It's up to Bailey Ruth--with the help of Police Chief Sam Cobb, who knows the truth about her, and Det.-Sgt. Hal Price, with whom Deirdre has found an instant mutual attraction--to find out who really did the deed. The trouble is that as far as suspects go, she has an embarrassment of riches" Jay didn't go out of his way to be popular, or even nice. And Wiggins has given her only 24 hours--plus Sam Cobb's boss, Mayor Neva Lumpkin, whom Bailey Ruth can't wheedle, is on the rampage and giving Sam even less. This calls for an emissary who can be not only inspiring, but insightful and lucky.Set in the midst of a writers' conference on the Goddard campus and salted with tidbits of information about the authorial profession, this is one of the most suspenseful of the Bailey Ruth Ghost Mysteries and one that all her fans should enjoy.

1 of 1 people found the following review helpful. I keep hoping that they will get better By Nancy Sometimes you just have to wonder about the ridiculousness that author’s get away with. Even I am beginning to wonder why I read the books in the series, but I do. I think it all boils down to hope – I hope that each book will be better.The premise is good, an emissary from Heaven sent back to earth to help a deserving person who is in some sort of peril. Unfortunately, the emissary from the department of good intentions (really, I could not make that up myself) seems more interested in her current wardrobe then following precepts set out and when you would think that a heavenly emissary would be infused with some sort of special power to right the wrongs, you would be wrong. Bailey Ruth, the aforementioned ambassador, seems to be just as much in the dark as everyone around her.Deidre Davenport is trying to keep her financial life in order and is crossing her fingers for a teaching position in the English department of a local college. Smarmy Jay Knox, who is in charge of the department and will be making the decision, is found dead and it looks like Deidre is the one with the most reason for wanting him out of the picture. With Deidre’s fingerprints on the champagne bottle, it is up to Bailey Ruth and her curious tactics to clear Deidre and ensnare the real culprit.With multiple wardrobe changes and too many names bandied about, the story is eventually told. Unfortunately, there is too much rehashing of the story line and too little story progression. The reader is easily bored and finds that they are wandering over to the bookshelf to see what else they could sink their teeth into.

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Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart
Ghost to the Rescue (A Bailey Ruth Ghost Novel), by Carolyn Hart